Aunt Jelena
In an excerpt from LARB Quarterly no. 41, “Truth,” Ena Selimović translates Marina Gudelj’s short story … or is it a eulogy?
In an excerpt from LARB Quarterly no. 41, “Truth,” Ena Selimović translates Marina Gudelj’s short story … or is it a eulogy?
Emiliano Aguilar reviews Margaret M. Power’s “Solidarity Across the Americas: The Puerto Rican Nationalist Party and Anti-imperialism."
Ellie Eberlee reflects on a momentous loss for the international literary community, and for the world at large.
Anna Levett reviews Mark Polizzotti’s “Why Surrealism Matters.”
Saikat Majumdar reviews NYRB Classics’ rerelease of Amit Chaudhuri’s first three books.
Paul Thompson scratches the surface of Eve Babitz’s Los Angeles on the occasion of her birthday.
Jenessa Abrams reviews Miranda July’s “All Fours.”
Ladette Randolph interviews Carolyn Kuebler about the relationship between writing and editing and her debut novel, “Liquid, Fragile, Perishable.”
Madeleine Crum reviews Colombe Schneck’s “Swimming in Paris: A Life in Three Stories.”
Andrew Graybill reviews Robert Aquinas McNally’s “Cast Out of Eden: The Untold Story of John Muir, Indigenous Peoples, and the American Wilderness.”
Mother’s Day inspires Emily Quintanilla to revisit Azarin Sadegh’s review of “What My Mother and I Don’t Talk About: Fifteen Writers Break the...
Tiffany Troy interviews poet Morgan Parker about her debut book of essays, “You Get What You Pay For.”
Justin Wigard reviews Stephen Graham Jones’s “The Angel of Indian Lake.”
A. J. Urquidi asks, “Who’s punk? What’s the score?” to a bunch of rad nerds at Cal State Fullerton’s PunkCon 3.
Kate Wolf and Medaya Ocher are joined by writer and publisher Danielle Dutton, author of “Prairie, Dresses, Art, Other” as well as “Margaret the...
Dylan Adamson positions the discourses around Francis Ford Coppola’s “Megalopolis” within the director’s larger body of work.