Sluts in Form and Content: A Conversation Between Sarah Yanni and Michelle Tea
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
Diana Heald reviews Suzanne Scanlon’s “Committed: On Meaning and Madwomen.”
Joseph A. McCartin reviews “The Hammer: Power, Inequality, and the Struggle for the Soul of American Labor.”
Jessica Rizzo reviews David Bellos and Alexandre Montagu’s “Who Owns This Sentence? A History of Copyrights and Wrongs.”
Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword...
In an excerpt from LARB Quarterly no. 41, “Truth,” writer Rachel Cusk and filmmaker Ira Sachs discuss his new film “Passages,” his oeuvre, and the...
Ruth Joffre reviews Liliana Colanzi’s “You Glow in the Dark.”
Alice Courtright reviews Marie Howe’s “New and Selected Poems.”
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Brittany Menjivar forgoes turkey legs and opts instead for a taste of pulled pork and momento mori at the Renaissance Faire.
In an excerpt from LARB Quarterly no. 41, “Truth,” Sarah Yanni accounts for what she left behind when she called off her wedding—and what she...
Lydia Eno interviews Eileen Myles for the 30th anniversary of “Chelsea Girls.”
Copydesk chief A. J. Urquidi ponders urban doom loops, world peace, and sacred riffage at the Helmet and Cro-Mags show in Los Angeles.
Peter B. Kaufman reviews Peter Pomerantsev’s “How to Win an Information War: The Propagandist Who Outwitted Hitler.”
Jamal Batts reviews Robeson Taj Frazier’s “KAOS Theory: The Afrokosmic Ark of Ben Caldwell.”
Emily VanKoughnett cuts through the exquisite bullshit and watches Mannequin Pussy create a kind of heaven at the Fonda Theatre.