Star Vehicle: On Translating Poetry
Polish poet Tomasz Różycki reflects on his craft of translation, in an essay translated by Mira Rosen-thal....
Sarah Moss’s Anxiety Chronicles
Tara K. Menon looks at the novels of Sarah Moss, detailing how she has become one of the writers who best captures contemporary unease....
Greenwood at 100
Carter Brace considers the legacy of the 1921 Tulsa massacre....
A History of Cyberpunk Comics
David M. Higgins and Matthew Iung consider the complicated history of cyberpunk comics....
Art Matters Now — 12 Writers on 20 Years of Art: Wendy S. Walters on Catastrophe, 2020, and the Work of Alan Ruiz and Bahar Behbahani
Collisions between the real and imagined world seem inevitable, and it makes sense that artists would be offering new ways to think about this phenomenon....
The Political Economy of Chappelle’s Redemption Songs
Matt Seybold on what Dave Chappelle's return tells us about celebrity and corporate power....
Labyrinths: The Films of Milla Jovovich and Paul W. S. Anderson
R. Emmet Sweeney details the collaboration of writer-director Paul W. S. Anderson and actress Milla Jovovich....
Listening for the Caribbean on "The Crown"
Sasha Ann Panaram seeks out the easily skipped, potentially transgressive soundtrack playing at the edges of Netflix's The Crown....
“No Worst, There Is None”: On Gerard Manley Hopkins
Vona Groarke finds little comfort and much inspiration in one of Gerard Manley Hopkins’s “Terrible Sonnets.”...
Letter to the Editor: Matthew Feldman Responds to Peter Berard
Matthew Feldman and Peter Berard exchange letters regarding Berard’s review of “Hate in the Homeland” by Cynthia Miller-Idriss....
Finding a Forgotten Artist
Rediscovering the lost lithography of Alice Mary Chambers....
The Reluctant Bomb Technicians of Sinjar
After ISIS ravaged their homeland, a group of Yazidis found work removing explosives from their own villages....
