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A Premature Eulogy for Privacy
Evan Selinger vehemently argues against the tenets of Firmin DeBrabander’s “Life After Privacy: Reclaiming Democracy in a Surveillance Society.”...
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A Premature Eulogy for Privacy
Evan Selinger vehemently argues against the tenets of Firmin DeBrabander’s “Life After Privacy: Reclaiming Democracy in a Surveillance Society.”...
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The Anatomy of the LSD Romance in the 1970s: On Errol Morris’s “My Psychedelic Love Story”
James Penner analyzes the life and times of Joanna Harcourt-Smith and Errol Morris’s recent film about her, “My Psychedelic Love Story.”...
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Romance as the New Literary: On Kevin Barry’s “That Old Country Music”
Art Edwards takes in “That Old Country Music,” the new short story collection by Kevin Barry....
A Premature Eulogy for Privacy
The Anatomy of the LSD Romance in the 1970s: On Errol Morris’s “My Psychedelic Love Story”
Romance as the New Literary: On Kevin Barry’s “That Old Country Music”
Dickinson's Hair
Nil by Mouth
Books Like Pictures in a Gallery: A Conversation with Jonathan Lethem
Tiptoeing Toward the Very Edge of Believability: An Interview with Kevin Barry
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A Combustible Compound: On Paul Hanebrink’s “A Specter Haunting Europe” and Elissa Bemporad’s “Legacy of Blood”
Voiceless in Vienna
High Fantasy with Tear Gas and Riot Gear
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LEE JASPERSE, BENJAMIN STILLERMAN
Beyond Bias: The Case for an Abolitionist Psychology
“MLK/FBI” and “Her Socialist Smile” Desanitize Two Radical Icons
Harlem’s Hero Revisited
Entering the Hall of Mirrors
The Constitutional Conflationists: On Abigail Shrier’s “Irreversible Damage” and the Dangerous Absurdity of Anti-Trans Trolls
On Crying for Sports Heroes
One Woman’s Century
“Circle Jerk” in the Square: An Interview with Michael Breslin, Patrick Foley, and Ariel Sibert