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The Limits of Language in a Surrealist Age: Sabrina Orah Mark’s “Wild Milk”
Michael Valinsky drinks in Sabrina Orah Mark’s debut story collection “Wild Milk.”...
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Wives’ Tales
Glenn Close's role in "Fatal Attraction" never sat well with her. How might that inform her work in her new movie, "The Wife"?...
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M Is for Mother
Kate Martin Rowe reads Kim Adrian's glossary-memoir, "The Twenty-Seventh Letter of the Alphabet."...
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The Limits of Language in a Surrealist Age: Sabrina Orah Mark’s “Wild Milk”
Wives’ Tales
M Is for Mother
All of Life Is Creation: Jack Kerouac’s Art
Joshua Cohen Confronts the New National Deficit in “ATTENTION: Dispatches from a Land of Distraction”
“A Republic or a Monarchy?” A Citizen’s Guide to Impeachment
“The Liberal Order Is the Incubator for Authoritarianism”: A Conversation with Pankaj Mishra
A Native with a Pale Face
Once Upon a Time in Los Angeles: Kathryn Harrison’s “On Sunset”
The World Is Not Enough
Remember to Forget: Patrick Modiano’s “Sleep of Memory”
The Million Trumps of India
When Fear Goes Pop: An Interview with Kisha Lewellyn Schlegel on “Fear Icons”
You Can Read (and So Can This Computer)
Pouring One Out for Anthony Bourdain
AWP on the Brink
The Emperor and the Empty Tomb: An Ancient Inscription, an Eccentric Scholar, and the Human Need to Touch the Past
The Most Powerful Person in Hollywood Without a Studio
Fraught with Peril: On Lucia Berlin’s “Evening in Paradise” and “Welcome Home”
Finish Him
