This Is Not a Novel: Reality and Realism in Nicole Krauss’s “Forest Dark”
Anna E. Clark reviews Nicole Krauss's latest.
Anna E. Clark reviews Nicole Krauss's latest.
Eileen Myles’s work has always been both concrete and ephemeral. With Instagram, they've found their medium.
Colson Lin reflects on how we are told to trust the black robes of the Supreme Court, and why.
The King's English Bookshop in Salt Lake City is the newest addition to LARB's Reckless Reader program.
Andrew Wessels considers “Notes on a Foreign Country,” in which Suzy Hansen investigates the power structures of American imperialism.
Rebecca Barr connects with “Notes on a Foreign Country,” in which Suzy Hansen casts a critical eye on her life as an American in Turkey.
Rob Latham reviews “Safe” by Ryan Gattis.
Does "Twin Peaks: The Return" matter?
Kristina Marie Darling on three recent hybrid works, and on secrets, light, and the lyric imagination.
If you’re with your friends, he’ll think he has a shot. You’ll probably be in a better mood than if you were walking alone.
Kimberly Quiogue Andrews reflects on the late poet and why he endures.
Stefano Young visits Korea's Lotte department store on a trip to Korea to see his girlfriend's family.
Jean-Thomas Tremblay reviews "Writers Who Love Too Much: New Narrative 1977-1997," edited by Dodie Bellamy and Kevin Killian.
Daniel Worden reviews Gary Panter's latest.
Frank Herbert’s “Dune,” an enduring science fiction classic, owes much of its mythology to “The Sabres of Paradise,” an undeservedly forgotten history.