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Seeing and Solitude: On Celia Paul’s “Letters to Gwen John”
Mairead Small Staid reviews Celia Paul’s new mixed-genre memoir, “Letters to Gwen John.”...
MEMOIR & ESSAY
Seeing and Solitude: On Celia Paul’s “Letters to Gwen John”
Mairead Small Staid reviews Celia Paul’s new mixed-genre memoir, “Letters to Gwen John.”...
MEMOIR & ESSAY
On Writing and Staging a Play in Prison
Sterling Cunio shares an excerpt from his recent book, “The Sentences That Create Us: Crafting a Writer’s Life in Prison.”...
NONFICTION
Healing, Dangerous Wonders: On Sylvia Legris’s “Garden Physic”
Paul J. Pastor reviews Sylvia Legris’s new collection of poetry, “Garden Physic.”...
“How to Navigate These War Zones We’re Living In”: A Conversation with Toya Wolfe
Amy Danzer talks to Toya Wolfe about her debut novel, “Last Summer on State Street.”...
The Allure of Orthodoxy
Scott Burton interviews Alexander Maksik about his new novel, “The Long Corner.”...
Game, Set, Match
Jason Christian considers “The Last Days of Roger Federer: And Other Endings” by Geoff Dyer....
Game, Set, Match
Jason Christian considers “The Last Days of Roger Federer: And Other Endings” by Geoff Dyer....
MEMOIR & ESSAY
So Gaslit: On Caren Beilin’s “Revenge of the Scapegoat”
Priscilla Posada reviews Caren Beilin’s new novel, “Revenge of the Scapegoat.”...
FICTION
A Call to Wake Up: On Viktor Shklovsky’s “On the Theory of Prose”
Jason DeYoung reads Shushan Avagyan’s new translation of Viktor Shklovsky’s classic work, “On the Theory of Prose.”...
LITERARY CRITICISM
What Has Become of Home?
Zahra Hankir explores Mai Al-Nakib’s debut novel, “An Unlasting Home.”...
FICTION
A Cosmos of Bodies: On Jazmina Barrera’s “Linea Nigra: An Essay on Pregnancy and Earthquakes”
Stephanie Malak follows “Linea Nigra: An Essay on Pregnancy and Earthquakes” by Jazmina Barrera....
GENDER & SEXUALITY