“World-Shifting: Haruki Murakami's "1Q84"”
“Margaret Atwood and the S and F Words”
“Language and Monsters”
“Strange Tales”
“Alternative Californias”
“Advertising Degree Zero”
“Boiling Point”
“A Malaise Deeper Than Shopping”
“Venturing in the Slipstream”
“Queer as Folk”
“Playful Games with Reality”
“Winsome Ghosts in the Machine”
“The Future is a Different Country: On William Gibson”
“Magical Mash-up”
“Words That Kill”
“Pornotopia”
“SalvagePunk”
“Shangri-La in the Rockies”
“Romantic Materialism”
“Struggle Forever”
“Forced Exuberance”
“This American Gothic”
“Mining the Great Midden of Genre”
“The City and the Starved”
“Cinderella Cyborg”
“Pulp Science”
“Hollywood Epistemology ”
“Time-Travel Triple-Decker”
“Love Sick”
“Taking the Future on Faith”
“Emptying the Electronic Trunk”
“A Complicated Existence”
“Bodice-Ripper, with Werewolves”
“Bradbury's Shadows: New Stories by Eggers, Atwood, Ellison, Gaiman, and Others”
“Irony Black as the Spaces Between the Stars ”
“Hacking the Arab Spring”
“Alternate Arabias: New Arab-American and Egyptian SF and Fantasy”
“The Widening Gyre: 2012 Best of the Year Anthologies”
“From Ireland, in the Coming Times: On Barry's 'City of Bohane'”
“Attack of the Singularity ”
“Posthuman Yearnings”
“A Compassionate Manifesto”
“Straight Couples: How Do They Work?”
“Mina and Lucy at the Waffle House”
“Somewhere More Interesting than Arrival ”
“More Than Just a Place to Stop for Gas”
“All-Encompassing Viscera”
“On the Borderlands”
“The Golden Age: On Chabon's "Telegraph Avenue"”
“Barbarians at the Wormhole: On Anthony Burgess”
“A Puzzle Box of a Quest Fantasy”
“The Real Yu: On Charles Yu's "Sorry Please Thank You"”
“Osama bin Laden: Pulp Vigilante”
“Back in the Fold: On 'A Wrinkle in Time: The Graphic Novel'”
“Mass-Market Surrealism”
“Don’t Let the Future Be Written For You”
“Outsider Theorist Paul Scheerbart”
“Second-Wave Steampunk”
“Space Adventure as Mercantile Venture”
“Defending the Rock”
“Hybridized Genres: Robert Jackson Bennett's "American Elsewhere"”
“Meeting the Austins Again”
“Old Scripts, Contemporary Versions”
“Dysfunctional Fabulist Families”
“Let’s Get Weird: On Graham Harman’s H.P. Lovecraft”
“The Future is a Celtic Otherworld”
“Beautiful Shape-Shifter: Karen Lord's "The Best of All Possible Worlds"”
“No Dads: Cuckolds, Dead Fathers, and Capitalist Superheroes”
“We Read Things Differently”
“To Understand the World Is To Be Destroyed By It: On H.P. Lovecraft”
“Devourer of Encyclopedias: Stanislaw Lem's "Summa Technologiae"”
“Jetsam on the Terminal Beach: M. John Harrison's "Empty Space"”
"The function of science fiction is not always to predict the future but sometimes to prevent it." — F... More
"All lurid, unsavory, gruesome illustrations shall be eliminated." — Comics Code, 1954... More
"Mere flim-flam stories, and nothing but shams and lies." — Miguel de Cervantes... More
"There is only one thing that can kill the Movies, and that is education." — Will Rogers... More
"Art is making something out of nothing and selling it." — Frank Zappa... More
"Life doesn't imitate art, it imitates bad television." —Woody Allen... More
