Violence Repeated: On Don Mee Choi’s “Mirror Nation”
Anabelle Johnston reviews Don Mee Choi’s “Mirror Nation.”
Criticism
Reviews and essays about books, across all genres and subjects.
Anabelle Johnston reviews Don Mee Choi’s “Mirror Nation.”
Renee Hudson reviews Xochitl-Julisa Bermejo’s “Incantation: Love Poems for Battle Sites.”
Svetlana Satchkova reviews Sasha Vasilyuk’s “Your Presence Is Mandatory.”
After reading Jason A. Heppler’s “Silicon Valley and the Environmental Inequalities of High-Tech Urbanism,” Patrick McCray decides that Silicon...
Dorothy Berry reviews Laura Helton’s “Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History.”
ISRAEL'S RECENT MILITARY ASSAULT on Gaza serves as a reminder of the continuing urgency of the Palestinian question, which has been a topic of...
Robert P. Crease reviews Adam Frank, Marcelo Gleiser, and Evan Thompson’s “The Blind Spot: Why Science Cannot Ignore Human Experience.”
Shoshana Olidort reviews Mireille Gansel’s “Soul House.”
Brittany Menjivar reviews Nicolette Polek’s “Bitter Water Opera.”
Dashiel Carrera reviews Nicolette Polek’s “Bitter Water Opera.”
Manan Kapoor reviews “Songs of an Eastern Humanist” by Edward Said.
Catherine Chou discusses “Taiwan: A Contested Democracy Under Threat” by Jonathan Sullivan and Lev Nachman.
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Edward Carver reviews Leah Hunt-Hendrix and Astra Taylor’s “Solidarity: The Past, Present, and Future of a World-Changing Idea.”