Legacies of Eugenics: An Introduction
In the first of a series, Osagie K. Obasogie explores the history and persistence of eugenics in science, medicine, and elsewhere.
In the first of a series, Osagie K. Obasogie explores the history and persistence of eugenics in science, medicine, and elsewhere.
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Woo-hoo! Brittany Menjivar gets her head checked by a jumbo jet at Blur’s pre-Coachella warm-up show in Pomona.
Edward Carver reviews Leah Hunt-Hendrix and Astra Taylor’s “Solidarity: The Past, Present, and Future of a World-Changing Idea.”
Naa Oyo A. Kwate lauds Uché Blackstock’s grounded memoir about racism in medicine and denounces Constance Hilliard’s genetic explanation for Black...
Sarah Brouillette reviews Melinda Cooper’s “Counterrevolution: Extravagance and Austerity in Public Finance.”
Jayson Buford revisits Curtis Hanson and Eminem’s “8 Mile.”
Are people—and the United States—doomed to be the subalterns of the aristocrats?
Zachary Gillan reviews Marina Yuszczuk’s “Thirst.”
Francesca Peacock reviews Lucas Rijneveld’s “My Heavenly Favorite.”
Brittany Menjivar will not rest until the whole world has fallen in love with Kenzy Peach.
Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, “With My Back to the World.”
Maria Bose and Jason Willwerscheid analyze corporate moves to adapt prestige video games into prestige TV.
Jeffrey J. Williams interviews Doran Larson about the American Prison Writing Archive and his new book, “Inside Knowledge: Incarcerated People on the...
Theo Spielberg appreciates Fatima Al Qadiri’s haunting score for the 2019 Senegalese film “Atlantics.”
Josh Billings reviews Matthew J. C. Clark’s “Bjarki, Not Bjarki: On Floorboards, Love, and Irreconcilable Differences.”