The Los Angeles Review of Books is a nonprofit, multimedia literary and cultural arts magazine that combines the great American tradition of the serious book review with the evolving technologies of the Web. We are a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting and disseminating the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.
LARB was created in part as a direct response to the disappearance of the traditional newspaper book review supplement, and with it the great tradition of the comprehensive American book review, dedicated to full-range, long-form coverage of everything from architecture to young adult fiction, academic monographs to genre fiction, from the latest publications to classic texts. In our new, swiftly transforming world of books and publishing, the Los Angeles Review of Books stands for curated, edited, expert, smart and fun opinion written by the best writers and thinkers of our time. We seek to revive, and reinvent, the book review for a new generation.
LARB was created as both a literary and cultural arts magazine, publishing not only traditional long-form essays on books and literature, but also reviews of art, music, theater, and film; exclusive journalism and commentary on key issues of the day; on-location reporting from political hotspots around the nation and worldwide; editorials and commentary on politics, culture and society; audio and video interviews of artists, writers, philosophers and politicians, and much more.
LARB has a prestigious roster of over 250 award-winning writers and contributing editors, as well as over 100 contributing artists. LARB's collective of contributing editors have won Pulitzer Prizes, National and American Book Awards, PEN Awards, and every other kind of distinction. A sample of the Review's contributing editor staff includes T.C. Boyle, Jeffrey Eugenides, Michael Pollan, Barbara Ehrenreich, Kevin Starr, Greil Marcus, James Franco, Manuel Castells, Antonio Damasio, Mike Davis, John Rechy, Reza Aslan, Chris Abani, Joe Sacco, Jonathan Gold, Carolyn See, Janet Fitch, Yiyun Li, Jane Smiley, Christopher Rice, Eric Lax, Richard Prince, and Jonathan Lethem.
The Los Angeles Review of Books is a non-profit, reader-supported online magazine that depends on public support and financing to exist. As a publicly-financed and community-supported initiative, the Review depends on the generosity of its funders and readers to pay its staff and contributors, and to finance its ongoing work with schools, emerging writers, libraries, and more.
You can support our mission by becoming a LARB Member or giving a one time donation. All LARB memberships and one time donations go to the Los Angeles Review of Books Fund, a fully tax-deductible, dedicated fund.
You can also mail a check, made to "Los Angeles Review of Books," directly to:
Los Angeles Review of Books
1614 S. Central Ave.
Glendale, CA 91204
|Tom Lutz, Editor-in-Chief / Publisheremail@example.com|
|Jonathan Hahn, Executive Editorfirstname.lastname@example.org|
|Gabrielle Calvocoressi, Senior Poetry Editoremail@example.com|
|Sarah Mesle, Senior Humanities Editorfirstname.lastname@example.org|
|Dinah Lenney, Senior Creative Nonfiction Editoremail@example.com|
|Laurie Winer, Senior Fiction Managing Editorfirstname.lastname@example.org|
|Michelle Huneven, Senior Fiction Editoremail@example.com|
|Darcy Cosper, Deputy Senior Fiction Editorfirstname.lastname@example.org|
|Mike Goetzman, Deputy Managing Editoremail@example.com|
|Walter Heymann, Production & Copydesk Chieffirstname.lastname@example.org|
|C.P. Heiser, Editor at Largeemail@example.com|
|Kate Wolf, Editor at Largefirstname.lastname@example.org|
|Jonathan Hahn, Co-editor, Around the Worldemail@example.com|
|Magdalena Edwards, Co-editor, Around the Worldfirstname.lastname@example.org|
|Megan Shank, Asiaemail@example.com|
|Jacob Surpin, Blog Editorfirstname.lastname@example.org|
|Jeffrey Wasserstrom, Asiaemail@example.com|
|Anne Elizabeth Moore, Comicsfirstname.lastname@example.org|
|Jacob Surpin, Creative Nonfictionemail@example.com|
|Timothy Spangler, Economics and Financefirstname.lastname@example.org|
|Merve Emre, Filmemail@example.com|
|Robert Zaretsky, Historyfirstname.lastname@example.org|
|Lee Konstantinou, Humanitiesemail@example.com|
|Ginger Buswell, Humorfirstname.lastname@example.org|
|Don Franzen, Lawemail@example.com|
|Lisa Levy, Noir and Mysteryfirstname.lastname@example.org|
|Joshua Rivkin, Poetryemail@example.com|
|Elizabeth Metzger, Assistant Editor, Poetryfirstname.lastname@example.org|
|Jonathan Hahn, Politicsemail@example.com|
|Sara Harrison, Assistant Editor, Politicsfirstname.lastname@example.org|
|Arne de Boever, Philosophy/Critical Theoryemail@example.com|
|Costica Bradatan, Religion/Comparative Studiesfirstname.lastname@example.org|
|Michele Pridmore-Brown, Scienceemail@example.com|
|Jerry Winter, Associate Editor, Speculative Fictionfirstname.lastname@example.org|
|Rob Latham, Speculative Fictionemail@example.com|
|John McKetta, Theater / Poetryfirstname.lastname@example.org|
|Mike Goetzman, Television / Musicemail@example.com|
|Cecil Castellucci, Young Adult Fictionfirstname.lastname@example.org|
Ann Louise Bardach
Sarah Shun-lien Bynum
Elena Karina Byrne
Maria Amparo Escandon
Gigi Levangie Grazer
Stephanie Elizondo Griest
Jenny Williams Gruska
Gar Anthony Haywood
Eloise Klein Healy
Juan Felipe Herrera
Thomas S. Hines
Timothy Michael Law
|Steven J. Ross
Mark Haskell Smith
Brian Kim Stefans
David St. John
Ngugi wa Thiongo
Robert von Hallberg
Mary Yukari Waters
Charles Francis Webb
D. Charles Whitney
Paula L. Woods
A big thank you to our former fiscal sponsors, who helped us get off the ground:
University of California, Riverside, April 2011 – April 2013
PEN Center USA, May 2013 – June 2014
Tom Lutz is the founder and editor of the Los Angeles Review of Books. His books -- Doing Nothing (American Book Award), Crying (New York Times Notable Book), Cosmopolitan Vistas (Choice Outstanding Academic Title), and American Nervousness, 1903 (New York Times Notable Book) -- have been translated into 12 languages and have appeared on NYT and LAT bestseller lists. His fiction and nonfiction have appeared in New York Times, Los Angeles Times, New Republic, Chicago Tribune, Die Zeit, ZYZZYVA, Exquisite Corpse, Salon.com, Black Clock, and other newspapers and literary venues, as well as in dozens of books and academic journals. He has taught at Stanford University, University of Iowa, CalArts, University of Copenhagen, and now at UC Riverside.
With over 250 award-winning writers, artists, filmmakers and contributing editors from Southern California and nationwide, the Los Angeles Review of Books is in the vanguard of new media organizations delivering the best that is being and has been thought and written. LARB is well-known for publishing writers and essays that create and impact public debate on everything from politics and government to the arts, entertainment, lifestyle, sports, religion, culture and foreign affairs. Year-round, we work with reporters and producers who cover these and many other beat topics, assisting them with research for their stories, and making our experienced media spokespeople available for interviews and commentary, whether on television, radio, in print or online.
We invite you to explore our Press Center for information on how to contact us to set up an interview with any of our writers.
Los Angeles Review of Books
1614 S. Central Avenue
Glendale, CA 91204
To contact the Los Angeles Review of Books for press inquiries, including assistance with your story, contact information for a LARB writer or editor, or to request an interview with a LARB media spokesperson, please contact our Press Office by sending an e-mail to email@example.com. If you are on deadline, please indicate that in your correspondence. A LARB press officer will respond to you without delay.
If you are an editor seeking reprint rights to any of our published articles, please send an e-mail to firstname.lastname@example.org. All articles published in the Los Angeles Review of Books are available for republication.
Our Editorial Board welcomes story pitches from professional and freelance writers, journalists, columnists and authors on all topics, whether it is a book review, hard news journalism, feature articles or op-eds. Please keep your story pitch between 200 and 500 words. Send an email to email@example.com. Your pitch will be forwarded to the appropriate editor.
Due to the volume of pitches we receive daily, we can only respond to those we accept.
If your pitch is related to a fiction review, please make sure to include the following information at the top of your pitch:
*Book(s) and/or writer(s) you would like to discuss in your piece
*Approximate word count
*Two relevant writing samples
If necessary, briefly explain any critical, historical, or biographical context you consider relevant. If there is an ongoing critical conversation (i.e. the work has been reviewed or written about already), let us know how your piece will take those conversations into account. Please keep in mind that the Los Angeles Review of Books has a broad general audience. Send an email to firstname.lastname@example.org.
To have your book considered for review, send a pitch to email@example.com; copies of books and correspondence can be sent to LARB, 1614 S. Central Ave., Glendale, CA 91204
The Los Angeles Review of Books is dedicated to reversing the trend in which writers write on the internet for free. We offer a standard honorarium based on the current health of our Writer’s Fund, for which we are raising money on an ongoing basis. We are a small nonprofit in the first years of our life, and the labor that goes into publishing on our various platforms — not just writing, but editorial, managerial, technical, educational, and otherwise — is still largely volunteer. Our ability to pay is contingent on available funds, which changes depending on the generosity of the organizations, businesses, individual donors and grant-writing institutions that help make LARB possible. We try to concentrate those funds on freelance writers and journalists for whom the money matters most, and encourage those writers in a position to do so, to waive the standard honorarium and donate it back to LARB to help us build the institution. Our #1 priority is to sustain for our writers and readers alike a home for the best that is thought and written on culture and the literary arts. We are building that capacity every day, and are determined to continue to be part of the solution. We appreciate the generosity of everyone who has helped bring us this far.
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